Kenyan gospel singer Justina Syokau has released a benga-inspired track titled “Ruto 2 Term.”
Syokau praises what she describes as the administration’s achievements and highlights several top government leaders in the lyrics. The release has triggered strong reactions across social media. Many Kenyans are debating the song’s message, its political edge, and Syokau’s continued use of gospel music to comment on national affairs.
Syokau positions the track as a message of “development politics,” insisting she is simply highlighting progress under Ruto’s leadership. She sings energetically about infrastructure, resilience, and national promise, while encouraging Kenyans to rally behind the president beyond 2027. The video’s confident choreography and bright styling reinforce her trademark boldness, ensuring the song lands with maximum visibility.
Some netizens took to social media their frustrations of Syokau crossing a line by blending gospel branding with overt political campaigning. They accuse her of abandoning ministry for political praise and question whether such music risks misleading her fan base. Some Kenyans dismissed the track as premature political messaging at a time when many citizens are openly discussing economic hardships.
Irene Mbula said, “Haai ati tutam in your dream, concentrate with gospel Wacha vitimbi nanii.”
“Is she a gospel artist? If yes, where is the place of gospel in tutam narrative please?” asked ‘The arena of liberty of all nations,’ Arena of Liberty said.
Maria John said, “Your head needs examination..are you ok?”
Cecilia Kituto said,” would rather watch akili kids ama cocomelon than watching the song.”
Beatrice ByltyI added, ” I thought you were a gospel musician.”
Alex LuckyBoy Said, “It’s better to remain silent and be mistaken for a fool than to speak and clear all doubt.”
Calypso Gilberrt Said,”Wacha kuloose focus endelea kusifu Bwana Mwokozi wetu wacha kusifu binadamu ..kondoo”
Evelyne Ndunge added,”Huyu na bahati Wana tofauti gani wanaanza na Roho na wanamalizia na mwili,Justina Rudi ukambani ukalime.”
The song’s release underscores a recurring tension in Kenya’s entertainment scene: when does artistic expression become political endorsement, and should gospel musicians engage directly in political messaging? Syokau’s latest project adds fuel to an already heated debate and reminds the country how powerfully music can shape, provoke, and polarize public opinion.
